Parution de l’ouvrage collectif « Labellisation et mise en marque des territoires »

Labellisation_34

 

« Labellisation et mise en marque des territoires »

Parution de l’ouvrage collectif, n°34 de la collection du Ceramac aux Presses Universitaires Blaise Pascal, sous la direction de Mauricette Fournier

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Un nombre grandissant de territoires cherchent à faire reconnaître, ces dernières années, leurs spécificités culturelles en s’inscrivant dans des démarches de labellisation, voire de véritable mise en marque, sur le modèle des enseignes commerciales qui scandent le quotidien contemporain, de la rue aux écrans. Des enjeux économiques, mais plus encore politiques, territoriaux, identitaires, semblent être à l’origine de ces initiatives pour distinguer la qualité d’un patrimoine, d’un lieu, d’un produit, pour définir son authenticité. Mais cet engouement n’est-il pas sans risques ? Les territoires ne tendent-ils pas ainsi à devenir des « produits », touristiques ou culturels, authentifiés, labellisés, esthétisés, prêts à consommer une fois estampillés ?
Par une approche pluridisciplinaire, les contributeurs de cet ouvrage, confrontant leurs analyses scientifiques et expériences, proposent d’analyser l’expansion de ce phénomène en interrogeant ses motivations (Repli identitaire face à l’angoisse de la banalisation ? Réinvention des identités et reterritorialisation des économies ?), en mettant en lumière ses mécanismes (Par qui sont conduites les procédures de labellisation, pour quel(s) motif(s) ? Comment sont produites et mobilisées les normes sous-jacentes ?) et ses conséquences.

Representations of Rurality in Crime Fiction and Media Culture” , Belfast, 15-16 juin, 2015)

Appel à communication

Representations of Rurality in Crime Fiction and Media Culture”

Queen’s University Belfast, June 15-16, 2015

The two day Symposium in June is supported by the Institute for Collaborative Research in the Humanities at Queen’s University and its 2014/15 theme of ‘Creativity in Imagined and Material Worlds’. It will bring together studies in crime fiction and media culture looking at a variety of outlets such as fiction, film, television, comics, games and many others with the concept of ‘rurality’. Here interdisciplinary papers are welcomed, but not contained to, Anthropology, Modern Languages, English, Film and Media Studies, History, Cultural Studies, Historical/Cultural Geography, Sociology, Spatial Planning. By bringing together an interdisciplinary group we might ask, therefore, how cultural constructions of the rural often ‘set the scene’ for crime fiction. For example It is obvious in the “noir” genre that an important (counter-) cultural current of strong, yet ambivalent representations of the rural runs throughout its landmark depictions of dark cities and hostile landscapes.

Idealised as the contrapuntic setting of an Idyllic, prelapsian, vision of community in culturally pessimistic tales of the criminal big city, or, on the contrary, mythified as a site of primal terror and unspeakable backwardness in “backwoods noir” fiction , the” rural” is an important horizon of the crime genre and all of its subgenres. It often sets the scene in modern, Scandinavian crime fiction; it informs the Geography of golden age mysteries, frequently set on big, remote, estates, on secluded islands and other cut-off locations. Even the mystery books of Enid Blyton, have children experiencing adventures ‘in’ the rural in a world away from adults; or gothic-inspired books and television series such as ‘Jamaica Inn’, where a brooding, rural backdrop provides an avenue into a darker, Cornish world. TV series recycle in imaginative ways such tropes, as evidenced in the recent Channel Four series ‘Glue’ where the not so idyllic aspects of rural teenage hood as rural ‘others’ are depicted thus drawing on Philo’s ‘Neglected Rural Others’. The rural idyll/anti idyll can be explored, for example, as within the backward, depraved world depicted in the U.S. film ‘Deliverance’, or ‘Cider House Rules’
The Symposium will provide a forum for concerted thinking around the ‘setting the scene’ theme and the relationships that might be explored. Thus the theme will not only offer an avenue for new readings into the canon of crime fiction and its satellites, from Conan Doyle to Faulkner, to Williams, to Upfield and D.O.A.; it can aid in thinking through conceptualizations and interdisciplinary collaborations. The Symposium will provide the opportunity to think through conceptualizations. The work of Raymond Williams (1973) might be usefully interrogated and the ways in which the country/city as counterpoint inform the development of narrative and plot; the spatial scales of the emotional, local, international within an increasing post-modern world and their manifestation in media culture might be discussed. Here, Bourdieu’s concepts such as those of Field and Habitus might also be fruitfully explored for the dominant norms and expressions presented in UK crime drama such as Midsummer Murders or Johnathan Creek, both set in and drawing on stereo-typical visions of rural locales’.
This conference will foreground the rural within crime and media culture. We could consider for example filmic representations of concepts of attachment and belonging to place. Here we might think about the Irish Film ‘The Field’, and how it depicts generational attachment to farming and the land through the crime embedded in the narrative. Or we might consider how crime fiction leads to the commodification and place-marketing of rural places via cultural planning and through, ‘trails’ taking the visitor through, the “crimes” of Robin Hood and his retreat into the Forest, stories of Highwaymen such as Dick Turpin, the Wild West, or more recently Scandinavian Crime fiction.
Thus the ‘Setting the Scene’ theme should be interpreted extensively within and beyond the themes mentioned. The Symposium provides an opportunity to tap into existing and new research ideas and develop exciting interdisciplinary research collaborations for the future.

GUEST SPEAKERS
Professor Paul Cloke, University of Exeter (invited)
Professor Benoît Tadié, University of Rennes (invited)

Deadline : Please send Abstracts by the 15th of January

Information complète sur Calenda : « Representations of Rurality in Crime Fiction and Media Culture », Appel à contribution, Calenda, Publié le mardi 02 décembre 2014, http://calenda.org/306432

Appel à contributions pour l’ouvrage « Livre et société »

Appel à contributions pour l’ouvrage : Livre et société, sous la direction de Alain Milon et Marc Perelman

Dans le prolongement des quatre dernières publications (Le Livre et ses espaces(2007), L’Esthétique du livre (2010), Le Livre au corps (novembre 2012), Les Temps du livre (fin 2015) (cf. http://www.pressesparisouest.fr/index.php?option=com_content&view=category&layout=blog&id=63&Itemid=116) le cinquième ouvrage abordera la question des liens que la société tisse avec le livre ….

Les propositions (40.000 signes maximum, espace compris selon la feuille de style des Presses Paris ouest, consultable sur le site des Presses Paris Ouest : http://www.pressesparisouest.fr) sont à envoyer avant le 1er octobre 2015 à Alain Milon amilon@u-paris10.fr  et Marc Perelman (marc.perelman@u-paris10.fr). 

Toutes les informations sur fabula : http://www.fabula.org/actualites/appel-contributions-pour-l-ouvrage-livre-et-societe-sous-la-direction-de-alain-milon-et-marc_65603.php